COVID-19 infections in China are at a low epidemic level and no unknown viruses or bacteria have been found during the monitoring of respiratory pathogens in China, according to Chinese health authorities on Sunday.
BA.2.86 and its subvariants, including JN.1 variant, have become the dominant variants in some countries, yet, their public health risk in China is low given their low proportion, Chang Zhaorui, a research fellow from the Chinese Center for Disease Control and Prevention (China CDC) told a press briefing on Sunday.
The proportion of BA.2.86 variant strains in the reported sequences in China is very low, but the proportion among imported cases has increased rapidly since November, and the growth trend has gradually converged with that of the world, Chang noted,
Since the first imported case of BA.2.86 variant strain was reported on August 31, a total of 160 sequences of BA.2.86 and its subbranches have been reported in China, including 148 imported case sequences and 12 local case sequences, but no severe or critical cases have been found, the research fellow from the China CDC noted.
According to a statement published by National Disease Control and Prevention Administration on Friday, the possibility of the JN.1 variant, a branch variant of BA.2.86, becoming a dominant strain in the country cannot be ruled out due to the subsequent impact of international strains and imported cases.
On November 21, the World Health Organization (WHO) adjusted BA.2.86 from a variant requiring global surveillance to a variant requiring attention, evaluating the risk of clinical severe infection as low and the overall assessment of public health risk as low.
Experts reached by the Global Times said infectious diseases are common throughout the world. New variants of the novel coronavirus can appear in the future at any time and people should get used to their existence. More attention should be paid to overlapping infections of influenza and other respiratory diseases.
In the past months, China has been experiencing a spike in respiratory disease.
Mi Feng, a spokesperson from National Health Commission, said on Sunday's press briefing that hospital visits for respiratory diseases across China have shown a downward trend.
Mi said that local medical institutes have been doing their part to ease pressure on major hospitals, accounting for 44 percent of total fever and outpatient visits.
The spokesperson called for the continued strengthening of surveillance and overall situation analysis for respiratory diseases and the allocation of medical resources to cope with the spike.
According to latest weekly report by the China CDC, the positive rate of influenza virus in the southern and northern provinces of China slowed down between December 4 and 10, and some provinces showed a downward trend.
The devastating Jishishan earthquake that rattled Northwest China overnight has led to a total of 131 fatalities, including 113 in Gansu Province and 18 in Qinghai Province. Nearly 1,000 people are reported injured, while 16 remain missing. Rescue work is drawing to an end, and the focus next will be the treatment of the injured and the resettlement of affected populations, authorities said at a press conference on Wednesday.
At present, more than 87,000 people have been temporarily evacuated and resettled in safe places, Gansu officials said at the press conference, revealing that nearly 15,000 houses collapsed and 207,000 more were damaged after the quake, affecting 145,736 people.
According to the latest data, a total of 78 trapped individuals have been rescued, with 6,653 people evacuated as of 6:00 am on Wednesday. Additionally, 360 tents have been set up, 683 hazardous areas have been cleared, and 47 tons of relief supplies have arrived at the disaster-stricken sites.
After 10 hours of nonstop efforts, all damaged roads and highways leading to the disaster area, especially toward the epicenter, have been cleared and reopened, including all 24 severely damaged rural roads, so that relief and supply vehicles were able to access impacted communities, the Gansu transport bureau said at the press conference.
All routes within the Lanzhou Railway Bureau, which had been delayed significantly due to impacts of the earthquake, have also resumed normal operations on Wednesday morning.
The damaged main power grid circuits in the earthquake-stricken area of Gansu and Qinghai have also been fully restored as of Tuesday evening, according to the State Grid Gansu Electric Power Company.
A total of 423 aftershocks have been recorded over the one and a half days since the initial impact, including 10 aftershocks measuring 3.0 magnitude or higher.
The strong earthquake triggered various secondary disasters. In Minhe county, Qinghai, which borders the epicenter Jishishan county, two villages experienced moving sand shortly after the earthquake. A significant number of houses were buried and washed away by mudslides, resulting in 20 individuals going missing. Following the incident, the Qinghai Provincial Fire Rescue Team swiftly organized overnight rescue operations.
The houses of 36 families, totaling 177 villagers, were destroyed by rushing sand in Jintian village, and 13 individuals are still missing. A firefighter on-site told the Global Times that after overnight search and rescue efforts, as of Wednesday morning, the bodies of four deceased have been discovered.
“The entire area is now covered with a thick layer of wet, thick and adhesive sludge. Rescue personnel told us that it’s so heavy and dense that it cannot be dug manually and requires heavy machinery for removal,” reporters from China Central Television said in a video shot from an impacted village.
Three excavators, brought in urgently, have been operating continuously, the CCTV report showed. “Shortly after the earthquake, waves of thick slurry, rising up to three meters high, surged and inundated the villages,” the reporter said in the video.
The Yiwu International Trade City Import Commodity Pavilion is a new benchmark set up by Yiwu to transform the Yiwu market from one-way export trade to multi-directional trade. The import commodity pavilion has a business area of 100,000 square meters, gathering products from more than 100 countries, including food, health products, clothing, shoes, hats, daily necessities, household items, kitchenware, daily chemical products, maternity and baby products, jewelry and accessories, and other 8 major categories of source goods. As the end of the year approaches, citizens come to purchase New Year goods and gifts. Photos: Li Hao/GT
After overcoming several disappointments and obstacles, China's 20-year-old tennis prodigy Zheng Qinwen has finally made a spectacular breakthrough in her embryonic career by winning her first-ever Women's Tennis Association (WTA) singles championship.
Zheng, a wild card in the competition as a late entry, defeated local favorite Jasmine Paolini in the final of the Palermo Ladies Open in Italy on Sunday, becoming the Chinese mainland's 12th WTA singles champion.
"This is very special to me as it is my first WTA 250 title. I'll remember that," said Zheng, who is also the youngest Chinese mainland player to win a WTA tour championship, said during her acceptance speech.
Zheng was awarded the WTA's 2022 Newcomer of the Year following a stunning run at the French Open, when she stunned two-time Grand Slam winner Simona Halep and French number one Alize Cornet on route to the quarterfinals.
She had great aspirations of progressing farther in the next season, but her fitness and form were lacking. Despite recently changing coaches to seek a change, she had four consecutive losses.
Under enormous pressure, the young Chinese player, who finished second to Liudmila Samsonova in her debut final in Tokyo in 2022, ultimately turned the tide by winning the championship in Palermo, putting an end to her losing streak and recovering her confidence.
Zheng's stunning breakthrough brought to mind her compatriot Li Na, the first Asian woman to win a Grand Slam singles title at the French Open.
Ever since the Women's tennis competitions have been put on hold in China since 2020 due to the COVID-19 pandemic, WTA announced in April that it will resume tournaments in China from this September.
As the country has long been a dominant force in women's tennis, Zheng is always considered as being among the rising stars of the young generation of Chinese female tennis players.
The women's tour hosted nine events in China in 2019. The prestigious China Open, a mandatory event in WTA's China tour, is expected to return, along with events in Wuhan, Li's hometown and Hong Kong as well as the WTA Elite Trophy in Zhuhai.
The season-ending WTA Finals, which has a 10-year partnership with Shenzhen and delivers a record $14 million in prize money, is the most important of these tournaments.
Men's tennis is also expected to restart, with the Shanghai Masters as the main event in 2023.
This year has seen the reintroduction of international sports tournaments such as the WTA, athletics' Diamond League, figure skating's Grand Prix, and multi-sport events such as the University Games and Asian Games.
China's Olympic champions believe the universal language of sport is a key to bridge communications for athletes as well as people of different countries and regions, as they continue their preparations for the Paris Olympic Games in 2024.
"Winning or losing is indeed the essence of competitive sports, but now I no longer think it's everything because we have something more valuable than victory," swimming queen Zhang Yufei told reporters at a forum held by the China Public Diplomacy Association in Beijing on November 22.
The essence of competitive sports goes beyond winning and losing, believed Zhang, who won six gold medals at the Hangzhou Asian Games.
Zhang's touching moment with Japanese swimmer Rikako Ikee at the Hangzhou Asian Games, where they embraced despite being rivals, became a memorable scene.
"We participated in the same discipline but it was until the final day of 50 meters butterfly final that she made onto the podium," Zhang said.
"Her ability to return to the competition is a miracle. It is her perseverance that inspired me to continue when facing a bad situation."
Zhang was referring a fever she caught on day four of her competitions at the Asian Games, when she had to continue to achieve her personal goal of becoming the MVP of the event, which required more gold medals at the time.
"It is her perseverance she demonstrated after wading through leukemia which sidelined her from competing after achieving six gold and two silver medals at 2018 Asian Games," Zhang noted.
Zhang's teammate Qin Haiyang, a breaststroke specialist who set a new 200 meters world record this year, noted that he hopes to inspire more people to participate in sports activities, expressing his desire to showcase not only athletic achievements but also the confidence, unity and friendship of Chinese athletes on the international stage.
The power of role models is limitless as gymnasts Zou Jingyuan and Zhang Boheng mentioned the influential figures in their sport, such as Li Ning, Li Xiaoshuang and Japan's Kohei Uchimura.
"Although we are competitors on the field, off the field, we are friends. Athletes worldwide share a common philosophy of developing modern gymnastics, innovating movements, and spreading the love for sports globally," Zou said.
All-rounder Zhang is often linked to Japanese gymnast Hashimoto Daiki, as the duo are being considered the top athletes in the sport. This year they have competed head-to-head in China at the Chengdu Universiade and the Hangzhou Asian Games.
"Although this year I won, but I don't think he is at top form. I expect to compete with him when both of us are in-form. Maybe the stage will be the Olympics next year," Zhang said.
"All the gymnasts in the world share a common philosophy, that is, to develop modern competitive gymnastics, constantly innovate movements, share our understanding of gymnastics, and our love for sports with the world," Zou added.
Off the field, interactions and friendships among athletes from different countries and regions highlight the Olympic spirit that unites the world, as two-time Olympic taekwondo champion Wu Jingyu, now chair of World Taekwondo Athletes Committee, underlines the communication among the athletes facilitate the Olympic spirit.
"In addition to athletic achievements, athletes' perseverance and pursuit of dreams are also part of the Olympic spirit. This Olympic family allows athletes to freely show and express the spirit of sports, inspire more people with spiritual strength," Wu said.
Criticism of China's national men's soccer team is raging again after recent disappointing matches, and the debate continues about how to find the right track for the development of soccer in China.
The team produced a drab draw with Malaysia at the weekend and suffered a 0-1 defeat to Syria in Chengdu, Southwest China's Sichuan Province on Tuesday.
The two warm-up matches were designed to offer stylistic similarities to Thailand and South Korea, whom China will take on in the second round of the World Cup 2026 Asian qualifiers that are set to kick off in November.
Even though an expanded format for the 2026 tournament in the US, Canada and Mexico will allow more teams from Asia to qualify, China' s hopes appear to be slim.
The recent results reinforced a fact that many fans have been reluctant to accept: China has descended to the middle and lower echelons of Asian football.
Malaysia is not the same team that China faced a few years ago, but China has found itself stuck in a rut.
It was the national team's attitude that outraged the public. In the nine minutes of stoppage time during the game against Malaysia, Chinese players retreated into their shells and wasted time by passing from side to side at the back as if on course to victory.
Head Coach Aleksandar Jankovic felt embarrassed and apologized to the fans after the game. In the second game against Syria, the team moved up a gear and accelerated the pace of passing and pressing. However, the Syrian goalkeeper produced a string of brilliant saves to earn some relief for the war-torn country.
In the World Cup Asian qualifiers in 2019, the then head coach Marcello Lippi quit in a huff after a 1-2 defeat to Syria.
The gap between China and the Asian powerhouses was made more stark as Japan coasted to a 4-1 win over Germany and saw off Turkey 4-2 in their warm-up matches.
Midfielder Xie Pengfei was the only redeeming feature of this lackluster team as his incisive runs and telling passes sparked some life in an ineffectual attacking line headed by Wu Lei and nationalized Ai Kesen.
"We need to find the right track and keep moving forward. We will not flinch when encountering difficulties. Perseverance is needed to be successful in football. We hope to get everyone's support and we will not give up," Xie said after the defeat to Syria.
Chinese soccer has been derailed from the right track for a long time, and there have been problems with personnel in the governing body.
A total of 14 people ranging from the chief of the Chinese Football Association to head coach of the national team have been put under investigation since November. The governing positions appear to have become a way for people to pursue their personal interests instead of driving the development of soccer.
China will not get out of the deadlock until the authorities reflect on the missteps and map out a path that conforms to the development of soccer. There is no easy way to stop the rot.
Fighting for a place in the 2026 world cup is not the primary goal. It is more important to step back and see if teenage Chinese soccer players are on the right track and what can be done to promote the development of soccer across the country.
Young Chinese people in the new era are confident, aspirational and responsible. With a global vision, they stand at the forefront of the times, ready to fully commit to a more global outlook. Chinese people accept and quickly respond to the world's trending schools of thought. Some members of China's Generation Z have started to practice the tenets of their "global citizen" identity and use their thought processes and actions to influence the society. The Global Times has therefore launched a series of introductory stories to China's Gen Zers who are interested in different global topics such as environmental protection, equality, and employment issues, and invites them to share their stories, sentiments, and ideas on social media platforms.
As the match point arrived, the stadium with nearly 6000 seats sat in silence. When the last ball landed, accompanied by a tsunami of cheers from the crowd, celebrating with fist pumps, shouts, and embraces, raising the Five-Star Red Flags to show their sincere gratitude to the audience and the country they beloved.
Similar scenes unfolded six times during the table tennis competition at the 19th Asian Games held in Hangzhou, East China's Zhejiang Province. Generation Zers Sun Yingsha, Fan Zhendong and Wang Chuqin, the absolute mainstays of the Chinese table tennis team, presented a lot of world-class pinnacle competitions with players from different countries and regions in a firm and confident manner.
Compared with the older generation, this group of world champions, who are blowing up a storm of youth, are more confident in expressing their love for table tennis, their desire to enjoy the game regardless of winners and losers, as well as their courage in communicating with the outside world to build up a more positive and united force, adding a more contemporary and vibrant expression to this sport, which is considered the national game by the Chinese people.
Enjoy the game
"When the last ball landed, the first thing I recognized about my performance was that it was very good," Sun, who was born in 2000, the current world No. 1 in women's singles, said while answering a question from the Global Times during a post-match interview on October 1, 2023.
And in a subsequent interview with the Global Times, Sun said she has gained a lot from the Hangzhou Asian Games. "Compared with the Asian Games in Jakarta five years ago, I have taken on more responsibility, but compared with the pressure, I am also more motivated, and am satisfied with my play."
In Jakarta in 2018, the enduring impression left by Sun to the public was a cute little girl with a round face and eyes. There is no Tokyo Olympic gold medal, Houston and Durban mixed doubles champions. At that time, Sun represented the national table tennis team in the women's team and mixed doubles events.
Five years later, Sun took the oath as a representative of the participating athletes at the opening ceremony of the Hangzhou Games, and competed in women's singles, doubles, team and mixed doubles, winning gold medals in three of them.
"I feel very proud to be sworn in as an athlete representative at a major international competition hosted by my country. To be able to fight on home soil, there were also many fans who came to cheer me on, I told myself to focus on every game on the field, and I hope I can really enjoy the feeling that the game brings to me. I didn't think too much about the result," Sun said.
But for Sun, the Asian Games in Hangzhou is not without regrets. Earlier, in a shock result, women's doubles world No. 1s Sun and Wang Manyu lost 1-3 to Japanese duo Miwa Harimoto and Miu Hirano.
Sun admitted that after the defeat, both her coach and her partner gave her a lot of encouragement so that she could adjust quickly be ready to face the next match. But she also told the Global Times that such a defeat is precious and needs to be fully faced, and that she will take stock of the loss after the game.
Fan, the world's number one men's singles table tennis player, also tasted defeat at the Asian Games. In the table tennis men's singles final on October 2nd, Fan lost 3-4 to his teammate Wang and won the silver medal. After the match, Fan told the Global Times that he was still very happy with his performance in his third Asian Games he attended.
"Being able to participate in the Asian Games in China and be a torchbearer is a great honor for me. It is a recognition of my past achievements. I also really wanted to win the final singles match and defend my title, but both of us played very well in the final. I feel a little regret for my lost, but not enough to be disappointed," he said.
Fan, who is 26 years old this year, made his debut in the Asian Games in 2014 in Incheon, South Korea. Starting his career at a young age and gaining fame early, Fan admitted that he felt "not very young" anymore. However, he still hopes to focus on the competition and give his all in every match, using his superb skills and competitive state to bring more positive energy to his teammates and fans who love him.
Valuing heritage
23-year-old Wang, who took home four championships in the table tennis men's team, singles, doubles, and mixed doubles, becoming the first person in the history of table tennis at the Asian Games, first to expressed his gratitude to the country for its cultivation in an interview with the Global Times.
Wang noted that China's nationwide system allows athletes to train in a world-class environment. "At the same time, the Chinese table tennis team is a strong team, with a lot of world champions, allowing us - the younger generation - to constantly progress and improve in a fine tradition."
"When you wear the national flag on your uniform, you represent Team China. The honor of this collective is passed down through generations through unremitting efforts, and we will do our best to defend it," Wang said.
However, Wang also noted that in competitive sports, no one can maintain their peak state forever and there can never be eternal victory. "This is also the charm of competitive sports."
In the men's and women's team finals of the Hangzhou Asian Games, the Chinese team defeated their opponents 3-0. The coaches of the Chinese table tennis team told media that although they ultimately won the matches, the process was not easy and the women's doubles event failing to reach the top four made the whole team realize that the competition in the world of table tennis is becoming increasingly fierce.
"Winning championships in table tennis may seem easy for the Chinese team, but in fact, every member of our team has put in unimaginable efforts in various aspects throughout this process. For us, it has always been about striving for first place, not just maintaining it," Fan said.
In the current world of table tennis, the level of athletes from various countries and regions is getting closer, Fan pointed out. "Every competition and major event requires us to give our all to achieve good results."
But for Fan and Wang, this kind of competition is positive and necessary. "We are also looking forward to these challenges, which are in fact mutual promotion that can further improve and develop the Chinese table tennis team," Fan said.
More open and international
"Play the fiercest ball on the court, and be the most sincere and lovely teenager in life." This is a popular comment of this group of all-powerful table tennis made by their young Chinese fans.
And it's not just the fans who are attracted to them.
On the first match day for the table tennis at the Hangzhou Asian Games on September 22, when Fan was warming up on the sidelines, a foreign coach took the initiative to shake hands with him. The handshake between them conveyed the friendship and respect built on this sport.
After the women's team first round match, Team Macao player Seak Hui-li specifically took a photo with Sun with her racket, which also received a friendly response from her idol.
After the women's team semi-finals, Korean athlete Jeon Jihee happily revealed in an interview that she exchanged pins with Sun.
Despite the tight schedule of the competition, Sun still lived up to her title as the "pin exchange master" with her actions.
"If I meet someone have pins I like or find cute, I will think about exchanging with them. We are all friends," Sun told the Global Times.
With the promotion of this more open and international Gen Zers, the slogan of the Chinese Table Tennis Association, "Chinese table tennis is shared with the world," has become a reality.
Sun, Fan and Wang told the Global Times that they love table tennis and hope to connect with more like-minded people through the sport. As idol for many despite their young age, they hope that more young people, like them, focus on what they love, can always go forward, ultimately realize the dreams.
The film Snow Leopard, directed by China's late Tibetan writer-director Pema Tseden, won the Tokyo Grand Prix at the 36th Tokyo International Film Festival held from October 23 to November 1.
This movie was Pema Tseden's last film before his passing in May. Born in December 1969, Pema Tseden passed away this year due to an illness. Recognized as a pioneer of Tibetan-language films, the director created several famous works, including the 2018 film Jinpa and the 2019 film Balloon.
Pema Tseden was also an award-winning novelist, whose work has been translated into English, French, German, Japanese and Czech. He was a professor at the China Academy of Art in Hangzhou, East China's Zhejiang Province, and a member of the China Film Directors' Guild as well.
Described as a family drama, Snow Leopard was Pema Tseden's eighth Tibetan-language film. The film explores the close association between humans and animals through a story in which a snow leopard kills nine of a sheepherder's flock. It delves into the differing perspectives of various individuals regarding whether to release the snow leopard after it gets trapped in the sheep pen.
It took about three years to make the film, which was shot at the scenic Donggi Cona Lake in Madoi county in Northwest China's Qinghai Province. The name of the lake means "lake surrounded by a thousand mountains" in the Tibetan language. The area is also a habitat for snow leopards and many other endangered species.
Jigme Trinley, Pema Tseden's son and assistant director on Snow Leopard, said that his father's works have always told stories of the culture and life of Tibetan people, and how modern civilization has been impacting and integrating into their lives and thinking, media reported.
Snow Leopard was considered a significant breakthrough in Pema Tseden's filmmaking journey, embodying his new understanding of life, the world, and Tibetan culture, Jigme Trinley added.
A total of 56 stone tablets are set to undergo restoration at the 2,000-year-old Baidicheng site in Fengjie county, Southwest China's Chongqing Municipality.
There are over 70 stone tablets at Baidicheng, all carved from high-quality Three Gorges stone. Among them, the oldest is a 1,400-year-old Sui Dynasty (581-618) stone tablet.
The inscriptions on the tablets have deteriorated due to human and environmental factors. To deal with this problem, restorers are looking to use desalination methods to remove harmful ions from the artifacts and effectively protect them, according to a report of China's state TV station CCTV.
Lei Tingjun, curator of the Fengjie County Baidicheng Museum, said, "Desalinating and repairing some of the heavily weathered areas is sure to reveal some missing content on the tablets."
It is expected that the restoration will take six months, ending around May 2024.
In July, to better ensure the protection of ancient stone tablets, the National Cultural Heritage Administration released the first list of ancient famous stone tablets and carvings, which included a total of 1,658 prominent artifacts. Dating from the Warring States period (475BC-221BC) to the Qing Dynasty (1644-1911), the tablets were inscribed with 20 different types of scripts.
Baidicheng, which literally means White Emperor City, is known as the City of Poems due to the large number of poets. Tang Dynasty (618-907) poet Li Bai also wrote about it in the poem Departing from Baidi in the Morning.
Another famous and talented poet, Du Fu, resided in Baidicheng for two or three years. Liu Bei, the first emperor of the Shu Han Kingdom (221-263) during the Three Kingdoms period (220-280), is said to have died in Baidicheng. However, according to Records of the Three Kingdoms, Liu died at the Yong An Gong palace. Yong An Gong was located in what is now the Normal School of Fengjie County, a few miles away from the current Baidicheng.
In 2006, the Chinese government listed Baidicheng as a national heritage site.
The China Academy of Art has welcomed the celebration of its 95th anniversary since its establishment in the recently inaugurated Liangzhu campus in East China's Zhejiang Province. As the nation's first comprehensive national institution for higher artistic education, the art academy mirrors the evolution of contemporary Chinese art and artistic education over the last century.
Gao Shiming, president of the academy, told the Global Times that Chinese President Xi Jinping's emphasis on the need to combine fine traditional culture with the Marxist stand, viewpoint and approach, also known as the "second integration," holds significant implications for art education. In addition, humanity is entering the "second Renaissance," to which China is making global contributions.
At a meeting on cultural inheritance and development in June, Xi called for the integration of the basic tenets of Marxism with traditional Chinese culture, known as the "second integration," which builds on the Communist Party of China's "first integration" of theoretical synthesis - the integration of the basic tenets of Marxism with China's specific reality, the Xinhua News Agency reported.
Ma Yifu, a renowned Chinese scholar, once asserted that Marxism has reactivated a socialist gene that exists in Chinese traditional cultural thought and social history, Gao said.
Common core values
Traditional Chinese culture and Marxism share common core values, such as the concept of equality. Chinese philosopher Wang Yangming's proposal of "cultivating moral consciousness, envisioning every individual as a saint," aligns with Marx's perspective on equality.
Similarly, the integration of Marxism and China's fine traditional culture has been vividly manifested in Chinese art, placing the people at the center and elevating them as the social subjects.
For instance, in the 1950s and 1950s, the Zhejiang school of figure painting, led by Fang Zengxian, employed techniques traditionally used for emperors, bodhisattvas and flora to portray ordinary farmers. This marked a significant period in China's millennia-old art history.
From its inception, the China Academy of Art envisioned an academic mission of "introducing Western art, organizing Chinese art, reconciling Eastern and Western art, and creating contemporary art." Over the last 95 years, the institution has walked alongside the history of modern Chinese art, responding to national crises and reinventing itself in the face of contemporary challenges.
During this period, two scholarly ideas have consistently unfolded: One represented by the inaugural dean, Lin Fengmian, which embodies the "integration of Chinese and Western styles." The other school of thought, pioneered by figures like Huang Binhong and Zhao Wuji, follows the path of "innovation within tradition." Zhao created a form of modern painting from within the folds of Chinese tradition. He activated certain elements of Chinese tradition by using modern art, creating an alternative, distinct and unique form of modern painting that gained global recognition.
"The last 95 years have seen the China Academy of Art charting a path in modern art education deeply rooted in the Chinese soil, reflecting a journey of artistic revival that is both grounded in tradition and independently innovative," Gao said.
What does a Renaissance require? "Prosperous technology, flourishing arts, developed commerce and a gathering of talents - we have all these elements now," Gao said.
'Second Renaissance'
He explained that the first Renaissance was catalyzed by an external factor - the Age of Discovery. Today, the internet serves as the great navigation of the 21st century. People in the world are not just witnessing a Renaissance in China but a global Renaissance in which China has started contributing to the world.
In the 21st century, art education in China has taken on a more significant role, serving as a catalyst for societal innovation. The current Chinese society craves innovation, creativity and self-transcendence. Igniting the primitive innovative capabilities of the entire nation is crucial.
"I often tell students not to confine themselves to being artists within the art realm but to become artists of the world," Gao said, adding that contemporary society demands the need for not just traditional artists but countless art professionals with the ability to innovate and imagine, solving real-world problems. This is the fundamental goal of the China Academy of Art - to foster a culture in which the entire art community contributes to the construction of a beautiful China and the high-quality development of the nation.
In the era of the first Renaissance, the world was not peaceful. Today, the world faces constant conflicts, making culture and art even more crucial as forces of reflection and reconciliation, guiding people into a more essential and expansive realm, allowing humanity a sense of transcendence.
The great French writer Flaubert once said, "Art and science met at the foot of the mountain and parted ways at the summit." The difficulty lies in people's journey not yet "reaching the summit," as people have technologized science and turned tools into technology.
Gao believes there's no need to rush; scientists and artists can engage in more philosophical exchanges. Simultaneously, people can start with specific initiatives, such as promoting a course called "illusion."
Scientists delve into the internal and physiological mechanisms of illusions, while artists design various illusions. This is a tangible course illustrating the fusion of science and art.
From another perspective, in the era of general artificial intelligence, people might leverage AI to become individuals with more extensive space and creative capabilities, akin to Da Vinci's versatility.
"As artificial intelligence advances, human artistic intelligence also grows," he said.
